Corinthian (comics)

The Corinthian is a fictional character in Neil Gaiman's comic book series The Sandman. He can first be seen in The Sandman #10 (October 1989), which is part of the second story arc, The Doll's House. The Corinthian is a nightmare created by Dream, who destroys him in the same collection for going rogue and failing to fulfill his original design. Dream later recreates him with "some changes", though the exact nature of these changes is not explicit. His most notable physical feature is his lack of eyes: in their place, two rows of small, jagged teeth line each eye socket, which he often covers with sunglasses. He can speak, eat and even respire through these mouths. The Corinthian is an impeccable dresser and will often wear only white clothing.

Abilities
The Corinthian does not seem to suffer in any way from his lack of eyes, and indeed claims to be able to see very well: he is shown driving adequately even while wearing sunglasses at night. He is however fond of taking the eyeballs of his victims and eating them with his own socket/mouths. Consuming the eyes of his victims allows him to view what they have viewed in their lives and even see the future in some cases. The Corinthian is also able to possess human beings. When the Corinthian assumes control of a new host, the eyes are consumed and replaced by teeth and the hair of the victim turns white. During the process, the eye sockets bleed profusely. All other physical characteristics remain the same for the host. This lets the Corinthian jump between bodies and even show himself off as his victims if he is able to hide or explain the physical changes.

The second Corinthian is very skilled at hand-to-hand combat. He is extremely resistant to damage and seems to be completely fearless. During his search for Daniel Hall in the Norse land of Swartalfheim, the Corinthian, obviously with little effort, snaps the neck of a supernatural wolf with his bare hands, and later sees through the deceptions of the Norse god Loki and defeats the deity in single combat.

Neil Gaiman has stated that the Corinthian is gay in The Sandman Companion in that the first Corinthian consumed eyes only from boys. The second Corinthian is featured with a boyfriend as written by Caitlin R. Kiernan in The Dreaming.

The Sandman
The Corinthian is AWOL from the dreamscape following Morpheus's escape from capture; however, Dream eventually catches up to him shortly after saving Rose Walker from harm. The Corinthian was meant to be Morpheus' masterpiece: "A nightmare created to be the darkness, and the fear of darkness in every human heart. A black mirror, made to reflect everything about itself that humanity will not confront." Instead, Dream finds his creation has walked the earth for about forty years, playing the role of a serial killer who removes his victims' eyes. Dream had created the Corinthian as a nightmare that would show humanity its own dark nature. Dream judged him a failure, however, because in forty years' time, the Corinthian did nothing other than commit gruesome murders, which fell far short of Dream's original, much grander intent. As punishment, Dream "uncreates" him, leaving a skull and some sand. He then remarks that the next time he creates the Corinthian, he "shall not be so flawed and petty."

Dream does eventually recreate the Corinthian in The Kindly Ones. This new, more reliable Corinthian helps rescue and protect Daniel just before Morpheus dies. In the process, he battles, defeats Loki, and eats his eyes. Loki, along with Puck, was holding the child hostage.

The Sandman Presents: The Corinthian
A three-issue miniseries called The Corinthian: Death In Venice tells the story of how the first Corinthian entered the waking world and learned how to murder human beings. In the series, the Corinthian displays his talent for possessing the bodies of the living, a process which causes the possessed body's hair to turn white and the eye sockets to bleed as the eyes are replaced (possibly eaten) by the Corinthian's teeth. The story takes place in Venice, in the year 1920, and includes such tangential plot elements as police corruption and anti-communist violence and paranoia. The story also features Charles Constantine (a member of the same infamous family as John Constantine), a World War I veteran who has repeatedly struggled with his inability to kill. During the war, Charles refuses to bayonet a helpless young German soldier named Stefan Wasserman. In retribution, Charles's own commanding officer shoots Charles in the groin, castrating him, and shoots the young soldier in the head. Wasserman's body, however, had been inhabited by the dormant spirit of the Corinthian, who has haunted and pursued Charles, both in dreams and in reality, ever since (Wasserman, a victim of a severe shell shock resulting from Dream's imprisonment, had committed suicide two years earlier).

The Corinthian wants someone to teach him "how to kill" and finds himself frustrated with Charles's inability to do violence even in self-defense. He eventually develops a rapport with Charles's traveling companion, a wealthy, traveling heiress who is degenerate and possibly insane. The woman claims that she cannot die, that she is the living incarnation of Pestilence, and refers to herself (and asks others to refer to her) by a new name each day, changing identities as she travels about. After she fatally shoots the Corinthian, and he survives by possessing the body of her young Italian lover, Amedeo, the woman recognizes the Corinthian as something other than human who can "become someone else." The two form a pact in which the woman agrees to teach the Corinthian how to murder, and the Corinthian agrees to teach her how to "stop being you."

The pivotal moment in the story comes while the characters are all attending the Venetian Carnival in costume. The woman, now calling herself Columbine, and the Corinthian Arlecchino murder another celebrant, but the Corinthian finds himself unable to take part, cursing himself. However, he eventually finds a way to fulfill both her promise to him and his promise to help the woman "stop being [herself]" by slitting her throat. Charles Constantine, happening upon them while dressed in his own carnival costume, finally steels himself and kills the Corinthian, who offers no resistance, with his own knife. The tale draws to a close with Charles leaving the country and the Corinthian beginning his murder spree, starting with Amedeo's young lover and the policeman guarding her in jail.

The Dreaming
The new Corinthian is back again in The Dreaming spinoff, returning to earth for the three-part "Souvenirs" storyline. Later in the series he hunts down Echo, who was previously a murderer who cut out the eyes of his victims, following the instructions of his boyfriend Gabriel who was one of the only surviving victims of the first Corinthian when he went on his murdering spree. A result of this is the accidental death of Matthew the Raven. As punishment the Corinthian is turned into a mortal and Echo (made a natural female in the Dreaming) is given his position. As a mortal he develops compassion for humans and comes to understand fear, especially after the death of his lover Sila. He is eventually deemed fit to come back and serve as the Corinthian, with Daniel Hall finding another place for Echo.

Other occurrences

 * An exact double of the Corinthian's skull can be seen in the treasure chest of Daniel Hall during his brief Justice League of America occurrence. Dream placed the original Corinthian's skull in his personal chest, then crafted a new skull before infusing it into the new Corinthian, and this is likely the source.
 * Keen-eyed viewers may spot a brief Corinthian reference in Alice Cooper's video clip for "Gimme" at 3:28 to 3:31.
 * The Corinthian makes a few brief but critical occurrences in Sandman Mystery Theater, where he is implied to be responsible for the mental derangement of some of the killers Wesley fights.

Name
The origin of the Corinthian's name is unclear. In a later story arc of Sandman, The Kindly Ones, Puck politely refuses to ask whether his name is taken from "the letters, the pillars, the leather, the place, or the mode of behavior."
 * "The letters" is most likely a reference to the Letter to the Corinthians, or First Epistle to the Corinthians, which uses the phrase "dark mirror," also used by Dream to describe him.
 * "The pillars" is a reference to Corinthian columns.
 * "The leather" is referring to Corinthian leather.
 * "The place" refers to Corinth, Greece.
 * "The mode of behavior" (Corinthian behavior) is indulging in luxury and licentiousness.

In the Death In Venice miniseries, a beggar (who is not entirely reliable) claims that he exchanged one of his eyes for one offered to him by the Corinthian, and that he called him by the first thing he saw when he opened his new eye—a Corinthian pillar. Later in Death in Venice, the Corinthian refers to himself as "the dream rot."

According to an interview with Gaiman in The Sandman Companion, the Corinthian takes his name from the mode of behavior; specifically, "a Corinthian" was another term for a rake: a devil-may-care, ne'er-do-well.